The verbal text, ideologically engaged and containing references to a litany-like prayer, finds its reflection in a simplified musical setting. It comes down to a homorhythmic, four-voice choral texture intended to clearly deliver to the listeners the poet’s socialist realist message: “Socialism is the sun, […] I throw flowers on the tracks, / through which revolution is passing. / Virgin most prudent. / Sun of justice. / Amen”. Mycielski’s composition is one of the many mass songs written at the time (Zofia Lissa, however, regarded it as an artistic choral song). Although the harmonic means used by Mycielski are not those recommended in circular letters addressed to composers (we find here triads complemented by dissonant components), in the ending of the pieces (in which the solemn formula customarily ending a prayer or, in this case, Gałczyński’s poem acquires an intricate setting crowned with a church cadence) the composer does conform to the pompous style typical of socialist realist mass songs.